![]() ![]() Instead, all of these pieces are human-interest stories, where the people and emotions of the circumstance are the story. RELATED: How to Watch The French Dispatch: Is Wes Anderson's New Movie Streaming or in Theaters?Įach of these four stories, while also being fictional, do not cover topics of mass cover-ups or extreme corruption. Finally, Roebuck Wright ( Jeffrey Wright) sets out to profile a renowned police chef ( Stephen Park) and finds himself entrenched in a story to rescue the kidnapped son of the police commissioner ( Mathieu Amalric). Next is an on-the-ground report from Lucinda Krementz ( Frances McDormand) of a student uprising, including her bias-breaking tryst with one of the rebellion's leaders ( Timothée Chalamet). Berensen ( Tilda Swinton) about an incarcerated modern artist ( Benicio Del Toro) and his dealings with his fellow inmate and manager ( Adrien Brody) and his muse and prison guard ( Léa Seydoux). First is a piece by Herbsaint Sazerac ( Owen Wilson) about the fantastically named town Ennui-sur-Blasé shown through the eyes of its seedier individuals. The French Dispatch is a collection of four articles published in the fictional eponymous section of the Liberty, Kansas Evening Sun, run by editor Arthur Howitzer Jr. The French Dispatch, the latest film from writer/director Wes Anderson, gives these kinds of journalists their own spotlights and shows that the voice of the journalist is just as important as the subject of their writing. What also gets lost in these grand investigation stories is the importance of how the information being reported is written, finding a way to make the story engaging for the reader so the important information can actually stick. ![]() Stories about art or food may not shake up the world order, but they can provide the reader with emotional and intellectual insight into facets of the world they may not have considered or just simply find interesting. Yes, breaking these gigantic stories is important, but journalists around the world cover a variety of different topics. ![]() The thing is, judging what is and is not great journalism on how seismic the information reported does not entirely do the profession justice. Particularly when focused on the work of real-life journalists, each of these films make an excellent case for why the investigative journalist provides a valuable service to society, able to bring forward matters of global importance with extreme implications on how people live their day-to-day lives. When executed properly, films about journalists garner a plethora of critical and awards attention, from Bob Woodward and Carl Bernstein ( Robert Redford and Dustin Hoffman, respectively) breaking the Watergate scandal in All the President's Men to the Boston Globe's Spotlight team exposing the ring of pedophile priests within the Catholic Church in Spotlight. However, with journalists, there is the added weight, usually, of bringing down powerful people who do not deserve their power, making them crusaders of justice more than clever minds putting together a puzzle. Uncovering clues, chasing leads, and eventually exposing the truth. In a narrative setting, investigative journalists play the same part in their stories as private eyes do in mysteries. It’s worked so far.Stories about journalists make for terrific drama. Namely, they make up the story as they go along rather than outlining it in advance. Schwartzman, who co-wrote The Darjeeling Limited and Isle of Dogs with Anderson, said they followed the same process for The French Dispatch. Mavis Gallant inspired Krementz, and Wright combines James Baldwin, A.J. Joseph Mitchell and Luc Sante inspired Sazerac. Harold Ross and William Shawn combined to form Howitzer. Howitzer and the writers for The French Dispatch were based on staff members of The New Yorker. Wilson, a college roommate of Anderson’s, confirms he has been a devoted reader since at least their educational days. He also said The New Yorker’s stories were an inspiration for The French Dispatch’s articles. Anderson said he’d always wanted to do a collection of short stories, and a French-inspired movie since he’s lived in France. 'The French Dispatch' Production Designer Adam Stockhausen On Transforming Felt Factory Into A Film Studio - Production ValueĪnderson wrote the script and co-wrote the story with Roman Coppola (who Anderson shares an Oscar Screenplay nomination with for Moonrise Kingdom), Hugo Guinness (they co-wrote the Oscar-nominated The Grand Budapest Hotel) and Jason Schwartzman. ![]()
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